Powerhouse actor Chen Daoming will be joining Jin Dong (Ode to Joy), Ma Yili (Chinese Style Relationship), Yuan Quan (Call of Heroes) and Lei Jiayin (Red Star Over China) in The First Half of My Life 我的前半生, a drama adaption of Yi Shu’s novel of the same name.
Daylight Entertainment’s latest web drama Candle in the Tomb 鬼吹灯之精绝古城 has released a new trailer and confirmed a premiere date of December 19th.
First off, production has begun for Daylight Entertainment’s new medical drama The Surgeon 外科风云. Jin Dong (The Disguiser) was confirmed last year as the cold and secretive cardiothoracic surgeon Zhuang Shu, while Bai Baihe (Chongqing Hot Pot) will be playing his love interest Lu Chenxi, a former cardio surgeon who has been “demoted” to the emergency department.
This is a series of posts of me over-analyzing The Disguiser. Last time I looked at a painting, this time it’ll be a conversation, next time it will be exactly one line. Can you guess which one?
When a sample of Nirvana in Fire 2’s script was put up by producer Hou Hongliang last week, he got so many complaints about the awkward dialogue and requests to have a co-writer to work with author Hai Yan that he deleted the post. With so many book adaptations, one of the worst aspect of many recent dramas is their inability to translate descriptive writing into scripts. Luckily, The Disguiser did not fall into that trap.
Here is a closer look into one of my favorite dialogues in The Disguiser, the reunion of Ming Lou (Jin Dong) and Wang Manchun (Wang Ou) here in episode 1. See how natural the dialogue flows while setting up the story and revealing character at the same time, and how much better it is than the lazy method of using a random bystander conversation to introduce the characters.
This is part of a series of posts that still overly obsessed yours truly is going to write on the Disguiser, aka my favorite Chinese drama in the past five years.
In Chinese, a common word for country is literally translated as nation-home. It’s only fitting then that the painting by Ming Cheng and Ming Lou is named Home, for it captures the two major themes of The Disguiser – family and country. It’s one of many examples of how the series by scriptwriter Zhang Yong and director Li Xue is a rare Asian drama that actually tries to uses dramatic principles like symbolism and foreshadowing and Chekhov’s gun.
The scene of the painting of Home seemed like just another day of Lou-Cheng cuteness at the time, but it actually set the stage for two major plot points and became a reoccurring symbol.
First of all, I’m kind of impressed by their use of English songs in the two trailers so far. Hopefully this bodes well for their rather large OST (all the girls and maybe Wang Kai have their own song). Second, can everyone but maybe Jiang Xin please get a new stylist? There is absolutely nothing young and hip about any of Wang Kai’s outfits.
I still think Ode to Joy 欢乐颂 could be ground-breaking in being a female-centric modern drama that isn’t solely-focused on romance (despite this trailer), so I have high hopes for this series. I like the end message of the trailer, if anything else. All the leads have signed up for season 2 and 3 for this drama, so that should indicate the script is really good (or they were emotionally blackmailed).
The series has been pushed back for an April 18th release, and still stars Liu Tao, Jiang Xin, Yang Zi, Wang Ziwen, Qiao Xin, Zu Feng, Yang Shuo, Zhang Lu, Wang Kai, Jin Dong, and Zhang Xiaoqian,
This is a plug for one of my favorite novels I’ve read last year, Until We Meet Again/Jusqu’a ce qu’on se revoit/别日何易 by mockmockmock. Romance, humor, history, culture, and philosophy are blended flawlessly in this travelogue across Europe and China. The reader follows The Disguiser‘s Ming Lou and Ming Cheng on a journey of self-discovery in mostly the lead-up to the drama. Even if you, like me, haven’t read fanfic since 2010 , I highly recommend it.
The story begins in Vienna on Easter 1933. In true spy style, the Mings meet in front of a painting at a museum. Ming Lou had just finished chatting about Keynes and ism’s. Ming Cheng had just returned from military academy in Leningrad. They eat cake, listen to opera, exchange intelligence, and brush hands. The joys of reunion cannot hide whispers of the recent election in Germany.
They celebrate Christmas with a jovial Seville family, but do not miss the underlying tensions of the impending Spanish Civil War. They share their first kiss by the Neva river, but the beating of their hearts cannot quieten Ming Cheng’s questions about his friends’ mysterious disappearances. They shower in the British rain and sing on Qinhuai River, but always in the back of their minds is the war brewing both around them and back home in China. Continue reading
A selected list of airing times for dramas to air this spring. Everything is subject to change. Which ones are you looking forward to?
Stars to release include Liu Tao, Jiang Xin, Dilraba, Wang Kai, Hu Ge, Liu Shishi, Zhang Ruoyun, Huang Xuan, Zhang Meng,William Chan, Jerry Yan, Im Yoona, Godfrey Gao, Yan YIkuan, Yang Le, Tang Yixin, Zheng Kai, Jin Dong, Wan Qian, Zu Feng, etc.
2016 Spring Airing Times
The Love of Happiness 因为爱情有幸福 , February 24
Featuring: William Chan, Tang Yixin (They dubbed themselves! Even William Chan with his major Cantonese accent!)
This trailer is actually so much better than I expected it to be! Everyone’s on point with their characters, and the trailer looks both fun and dramatic.
So here’s our Ode to Joy 欢乐颂, set to air on April 17, introducing the adorable residents of 2201 and the males in their lives, Liu Tao, Jiang Xin, Yang Zi, Wang Ziwen, Qiao Xin, Zu Feng, Yang Shuo, Zhang Lu, Wang Kai, Jin Dong, and Zhang Xiaoqian,
P.S. Wang Ziwen said that for all of her scenes with Wang Kai, pretty much if the two can’t come up a way to make their scene cute, they’ll just make out, so expect lots of cuteness from the pair.
Despite a weak first six months, 2015 produced some of the best dramas in years. Here are some of my top picks. What are yours?
Best Make-up and Styling: Empress of China: Wu Zetian
As the woman with probably the most outfits in drama history, Wu Zetian’s stylist also does a great job of making Fan Bingbing look gorgeous in all outfits and ages, many of the stylings being based on history.
Best production design: Nirvana in Fire